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infant bodysuit onesie ballet shoes slippers dress tutu skirt angel wings flower crowns designer girl shower 1st birthday clothe

infant bodysuit onesie ballet shoes slippers dress tutu skirt angel wings flower crowns designer girl shower 1st birthday clothe

infant bodysuit onesie ballet shoes slippers dress tutu skirt angel wings flower crowns designer girl shower 1st birthday clothe

Each of the couples had to do a Judges’ Pick dance, one that they had done earlier in the competition, plus the eagerly anticipated freestyle. Picking a Top Three for the Judges’ Pick dances is easy since Alek just couldn’t get his hips to move for the rumba, so he and Lindsay were the only pair to not receive three perfect 10s from the judges and a perfect 30. As for the freestyle dances, Season 21’s dances were so completely different from one another that it would be like comparing apples to oranges to watermelons to bananas. So it’s totally my personal opinion that I thought Bindi and Derek were at the very top, just by the simplicity and purity of their dancing. The freestyle, about someone being there when you need them and a summation of how Bindi’s season has been dedicated to her late dad, Steve “Crocodile Hunter” Irwin, was so emotional and so well performed that it swept me away. Judge Bruno Tonioli called it, “the power of dance at its most pure and effective form.” There wasn’t a dry eye in the ballroom (or at my house, either) when the dance concluded with the pair walking through “sand” as a third pair of footsteps appeared and then a huge photo of Steve and younger Bindi came up on the screen, something that was a surprise to Bindi.

Here’s what they’re saying, — Marvin Bayyyeee (@marvinbayylmao) February 4, 2019, — Mel ⚯͛ (@Mel_B104) February 4, 2019, infant bodysuit onesie ballet shoes slippers dress tutu skirt angel wings flower crowns designer girl shower 1st birthday clothe — IX/XXI/MMXIII❤️ (@twistedlegacy_) February 4, 2019, — Jose Morales (@HolyJose2391) February 4, 2019, — Megan Weiss (@megweiss13) February 4, 2019, — mel (@melissamrtnzx) February 4, 2019, — Nobel Macaden (@NobelMacaden) February 4, 2019, — Slice of the National Cake (@wutdahector) February 4, 2019, — Jayson L, Mack (@JMack33) February 4, 2019..

Commemoration of the Day of the Dead, officially Nov. 2, now starts days or weeks early. So gather your marigolds for these upcoming celebrations of death, and ultimately, life. — A Dia San Jose event Saturday, Oct. 22, will bring mariachi bands, artists and Lucha Libre wrestling to St. James Park from 11 a.m. to 8 p.m. www.diasanjose.com. The San Jose Multicultural Artists Guild will hold its annual procession in San Jose, noon Sunday, Oct. 23, from Market Street to the Martin Luther King Jr. Library; a festival follows at San Jose State. Free; www.sjmag.org.

Ng Shing Gung is open 11 a.m, to 4 p.m, the first and third Sunday of the month, It’s also a stop for about 20,000 local school kids annually, fulfilling Gong-Guy’s wish that it be a place for learning, On the first floor, glass cases contain myriad items that reflect what it was like to reside in Heinlenville and infant bodysuit onesie ballet shoes slippers dress tutu skirt angel wings flower crowns designer girl shower 1st birthday clothe the Market Street Chinatowns, as well as a third, the Woolen Mills Chinatown, in the mid-19th century: a child’s jacket, school books, gambling paraphernalia, tiny shoes that were meant to cover bound feet, The case devoted to Cantonese opera costumes includes a spectacular, multi-colored and mirrored garment that was donated by a museum visitor, A three-tier time line relates social, economic and political events up until 2000 in San Jose, the United States and China..

His String Quartet No. 10 in E-flat major opens with a radiant melody, pensive and tender in Dvorak’s manner. Before you know it, it’s melted into a lilting polka, which soon gives way to a full-on Slavic dance. At Saturday’s festival-opening concert at the Center for Performing Arts at Menlo-Atherton High School, the Escher String Quartet performed this work with calm meditative focus, and with heat.It was a warm account of one of the best of Dvorak’s 14 quartets. In the years since the Escher first performed at Menlo, it’s become a mature ensemble, adjusting well to some changes in its personnel. At Saturday’s performance, during the traditional folk lament (known as a dumka) that permeates the second movement, the group’s boldly blended sound kept dissolving into transparent textures, to dappled effect. The third movement, a romance, was especially fine, merging moods of rhapsody and dark gravity.