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After that delightful prologue, “Stan & Ollie” begins in earnest – 16 years later, by which time Laurel and Hardy – now competing with television, their own reruns and a couple of imitators named Abbott and Costello – have been forced to tour second-tier theaters in Britain, staying in un-grand hotels and playing to half-empty houses. They’re not happy about it, but they’re troupers above all else, playing their classic “bits” as if they’re discovering them for the first time.

Why Would I Mispronounce My Own Name?: Through March 24, The Marsh Berkeley, 2120 Allston Way, Berkeley, Weaving history and comedic insights into stories about names, this hit solo show sheds light and throws shade on societal prejudices and assumptions, $20-$35 sliding scale, www.themarsh.org, Cat On A Hot Tin Roof: Through March 3, San Jose Stage Company, 490 South First St., San Jose, $32-$72, toddler girl shoes baby girl shoes couture baby shoes nude flower girl shoes lace couture ballet slipper flower girl ballet flat www.thestage.org, The Last Sermon of Sister Imani: Through March 3, Live Oak Theater, 1301 Shattuck Ave., Berkeley, Adrian, an up-and-coming politician, needs the endorsement of Danielle, a spiritual leader named Sister Imani, Sliding scale, $10-$30, http://theatrefirst.com/tickets..

Working with Oakland cornetist Theo Padouvas, who created the score for “Queen of Knives,” they’ve spent the past nine months developing a work for five dancers (the Kurashiges themselves, Marissa Brown, Katharine Hawthorne and Carson Stein) and a stellar cast of East Bay improvisers, including cellist Max Judelson, saxophonist Joshua Marshall and Aram Shelton on clarinet. While Prokofiev’s musical themes provide Padouvas with plenty of material to work with, the plot is also rife with potential for choreographers. Rather than turning “Peter” into a harrowing production for adults, they have sought to excavate the tale’s mythic components.

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One day, I was at work, scrolling through the news on my phone, and came across an article. In it, I read and learned for the first time about how I was found unconscious, with my hair disheveled, long necklace wrapped around my neck, bra pulled out of my dress, dress pulled off over my shoulders and pulled up above my waist, that I was butt naked all the way down to my boots, legs spread apart, and had been penetrated by a foreign object by someone I did not recognize. This was how I learned what happened to me, sitting at my desk reading the news at work. I learned what happened to me the same time everyone else in the world learned what happened to me. That’s when the pine needles in my hair made sense, they didn’t fall from a tree.