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Carreño agreed to the surprising offer to take over the troupe because “I thought there was a lot of potential here to bring the company to another level,” he says recently at the company’s downtown headquarters. “But I noticed they only danced in San Jose. We’re going to break that. We’re going to expand. Everything takes time, but I’m already planning to take the company on the road next year. There are so many communities out there, and we have to reach them.”.

Gordon-Levitt refined his French accent by listening to Petit, learned about engaging his core and red flats women's custom ruby red shimmery bridal ballet flats *free u.s. shipping* jco.customs by kitty paws shoes arm muscles to stay tight while walking and discovered why Petit would recline during a performance — theater, yes, but also because that pole gets heavy, “It became easy for me,” the actor says, “I could walk forward and backward on a wire that was 2 feet off the ground, no problem, But when the wire was moved up to 12 feet, no matter how much I told myself this is all fine, my body just seized up, As soon as you start thinking that you’re really high up, you start shaking, And then, you’re sunk.”..

The International Festival brought girls to school in traditional Indian “gagra choli” dresses, while senior Ezana Anley donned a white “netela” from Ethiopia. “We love wearing white because we’re Muslims and Christians, and we see white as pure,” Ezana said. Ezana, whose mother is Chinese and father is Ethiopian, brought Ethiopian anbesa and dado breads to the festival for students to sample. There were also trivia games, where students learned, for instance, that “Star Wars” X-wing pilot Poe Dameron is played by native-born Guatamalan Oscar Isaac, whose real name is Oscar Isaac Hernandez Estrada.

The Hungarian master’s Serenade in C Major for violin, viola and cello exhibited the ensemble’s blend, and the fiddler’s red flats women's custom ruby red shimmery bridal ballet flats *free u.s. shipping* jco.customs by kitty paws shoes prowess, taste and articulation, Indeed, the group’s clarity and intonation were a marvel to experience, as the vivacious Scherzo, so laced with frenetic energy and counterpoint, was managed with elan and meticulous tonal differentiation, Wondrous as they were, there was always the sense that the ensemble had more to give, another gear that would drive the audience into a frenzy..

If an all-Shostakovich evening sounds a bit daunting (symphony President Andrew Bales, in his opening remarks, suggested as much), the results were anything but. Led by guest conductor Tatsuya Shimono, the performances of the composer’s Piano Concerto No. 2 in F major, Suite for Jazz Orchestra No. 1, and Symphony No. 5 in D minor — plus more Shostakovich in the encore — were consistently engaging, and often irresistible. Irresistible was the only word for the first half’s performance of the Second Piano Concerto. With pianist Stephen Prutsman as soloist, Shostakovich’s 1957 score came across with an abundance of wit and exuberance.