1 - 3d crystal rhinestone pink white enamel ballerina ballet slipper gold tone kawaii charm, ballet charm (3-6e)

Originally, people were trained to use the sword non-aggressively, in response to encountering a surprise attack. Performers young and old will quickly dispel the stereotypical, media-derived sense of a sword-wielding Samurai, as the audience watches moves, both gentle and deliberate, that are inspired by their inner landscape, Diamantstein explains. “It’s not about Kill Bill. It’s a very concrete, feasible way to do inner work,” he says, noting that the practice is now utilized in Japan for leadership training and personality development.

With dances set to Bach, Mozart, Handel and Palestrina, the production’s first half sustains a mood of reverence and awe 1 - 3d crystal rhinestone pink white enamel ballerina ballet slipper gold tone kawaii charm, ballet charm (3-6e) and is aptly titled “The Classical Christmas.” But for the second half, the title “The Cool Christmas” doesn’t really capture the jazzy feel of the works, which range from exuberant joy to sublime silliness, “Michael loved everything about the Christmas season,” says Celia Fushille, the company’s artistic and executive director, “He was serious about the work he did but didn’t take himself too seriously, His attitude was, it’s the holidays, let’s have fun, There are a bunch of great ‘Nutcrackers,’ and we don’t need to do another, We do something new each year, but we have our mainstays, like ‘Santa Baby’ and the Bach ‘Magnificat’ with the angels, things we can’t not do.”..

These six beguiling women were indeed part of a dangerous generation, but what’s even more dangerous — and absolutely worthy of sustained, incisive attention — is the way they, and the sexual energy that fueled them, were put in their place, ushering in years of reactionary and regressive sexual politics. Therein lies the lesson of the flapper, equally as pertinent today as in their waning days: We map our most vivid fantasies on the bodies of our female celebrities, and as those fantasies begin to sour, those selfsame bodies come to bear the bruises of our confusion and regret.

“Miss Saigon,” based on Giacomo Puccini’s opera, “Madame Butterfly,” has more than enough melodrama of its own, It’s the tragic story of a doomed romance between an Asian woman and her American soldier lover, but “Miss Saigon” takes place in Vietnam in the 1970s rather than Japan in the early years of the 20th century, The fact that this production is overblown doesn’t take away from excellent vocals by the lead actors: As Kim, the sweet, naïve 17-year-old Vietnamese orphan sent to a Saigon bar/brothel during the war, Danielle Mendoza shows 1 - 3d crystal rhinestone pink white enamel ballerina ballet slipper gold tone kawaii charm, ballet charm (3-6e) both vulnerability and resourcefulness as she first finds love with the earnest GI, Chris (a credible but rather bland Terence Sullivan), then forges a life for herself and her young son Tam (Nicolas Maggio), the product of her liaison with Chris..

Audra McDonald, soprano. 7 :30 p.m. Jan. 17. Show tunes, movie songs and original pieces. Bing Concert Hall, 327 Lasuen St., Stanford University. http://live.stanford.edu. Peninsula Symphony Orchestra. Eigsti, Gershwin and Brubeck. Taylor Eigsti, jazz piano, Dayna Stephens, sax. George Gershwin’s “Rhapsody in Blue,” overtures to “Girl Crazy” and “Strike Up the Band”; new compositions by Taylor Eigsti; tribute to Dave Brubeck. 8 p.m. Jan. 17, San Mateo Performing Arts Center, 600 N. Delaware Ave., San Mateo. 8 p.m. Jan. 18, Flint Center, De Anza College, 21250 Stevens Creek Blvd., Cupertino. $20-$40. www.peninsulasymphony.org or 650-941-5291 Zeppelin Live (formerly Heartbreaker). 9 p.m. Jan. 18. Club Fox, 2209 Broadway, Redwood City. $18. 877-435-9849 or www.clubfoxrwc.com.